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Buffalo Tide - Huge Chromosome - Review

Buffalo Tide – Huge Chromosome (BLBX/ April 9, 2012)

By Alexandra Sewell

From the darker and danker recesses of the ever popular dubstep genre comes Buffalo Tide‘s double a-side Huge Chromosome. Released as a two-track single, it’s the brand new effort from influential dub/glitch producer and BLBX collective native, Christopher Oliver. BLBX was started by like-minded producers, such as Jermaine Soul, Ambi:Non, Kimberdrift and Crowstick, to create “independent, passionate and uncompromising” music, with an aim to utilise full synergy between the musicians’ mindset and ability in order to support and influence each other in their work.

Huge Chromosome is a dimly-lit, sweaty underground basement full of metallic, dripping tap beats and electronic bass drums. It’s seemingly a more personal single with both tracks taking about two months to make (a first for Oliver) and the familiarity with dubstep lulls the listener into a false sense of security by creating a morbid and cryptic atmosphere to the tempo of the tracks. ‘Mess Hall Malnutrition’ is minimal and choppy, alternating between light and heavy electric gradation and ‘What We See, What We Become, In The Desert’ uses fluttery but affirmative and robotic vocals and a dark come-down of dance bass samples. It echoes more recent Burial releases but without the R’n'B aspect.

Huge Chromosome is a satisfyingly haunting product and with influences as diverse and intriguing as Givenchy’s haute couture, The Petting Zoo by Jim Carroll and even the seven last sayings of Christ, you’d be hard-pressed to find another single worth listening to on those muses alone.

Speakers with a sub woofer system would be advantageous.

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